Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational system of work, after the of
industrial production and totalitarism, spirit, identification
with ideology, which means: not the individual, but the
speaks. Our work is industrial, our political. Laibach is a
recognition of time universality. Its organisational is an
agitation and a constant systematic propagating, ideological
offensive. Any activity affects the mass. Laibach functions as a
creative of strict institutionality, identification with
institution, as stock theatre, or culture with a centralized
programme. One transmitter and a of receivers, and with a
communication through uncommunication. musical approach is a
to the area of pure politization of sounds as a means of manipulating
the masses. When, in politically and economically situations,
the antagonism in society is becoming strained, force remains as the
ultima ratio of social integration. The force adopt the form of
systematic, physical and psychic terror, organized in accordance
social relations. Terror is obtaining a of productional power,
which discipline and an adaptation of the mass, to the existing
productional relations, and the existing apparatus. For the
totalitarian form of government, the systematic becomes a
constitutional instrument of authority. the mystic,
sound, constitution of an ambivalence between fear and
fascination, which rudimentarily the consciousness of people,
stage performances of ritualized demonstration of political power,
and through other manipulative means of an individual, practises a
force, in a form of systematic, psycho-physical terror as social
organisational principle, in order to effectively discipline and a
feeling of adherence bond of a certain, revolted and alienated
audience, which in a state of collective [athasia?], which is the
of social organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
and automatic associations, and as such it serves as the means of
working stimulation. By the consumer's mind, it drives him into
a state of humble contrition and obedience, self-sacrifice, by
destroying every trait of individuality, it melts the individuals a
mass, and mass a humble, collective body. The dualism of Laibach's
message, perception and receiver's structure uncovers the neurosis.
Laibach unites the and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, which are not ideals to
form, but the material of Laibach, manipulation of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical form of the militantly organised rhythmicity of
production, and as the most appropriate means of media manipulation.
As an structural basis of the collective unconscious in a
worker mass, it automatic mechanism, and shapes
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]