Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach over an organisational system of work, after the model of
production and totalitarism, collective spirit, identification
with ideology, means: not the individual, but the organisation
speaks. Our work is industrial, our political. Laibach is a
recognition of universality. Its organisational activity is an
intense agitation and a systematic propagating, ideological
offensive. Any activity affects the mass. Laibach functions as a
creative allusion of strict institutionality, with
institution, as stock theatre, or popular culture a centralized
programme. One transmitter and a multitude of receivers, and a
communication through uncommunication. Laibach's approach is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in and economically complicated situations,
the in society is becoming strained, only force remains as the
ultima ratio of integration. The force must adopt the form of
systematic, physical and psychic terror, organized in accordance
social relations. Terror is obtaining a of productional power,
extorts discipline and an adaptation of the mass, to the existing
productional relations, and the productional apparatus. For the
totalitarian form of government, the systematic becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, constitution of an ambivalence between and
fascination, which rudimentarily affects the of people,
through stage performances of demonstration of political power,
and through other manipulative means of an individual, Laibach a
sound force, in a form of systematic, psycho-physical as social
principle, in order to effectively discipline and raise a
feeling of adherence bond of a certain, revolted and alienated
audience, results in a state of collective [athasia?], which is the
principle of social organisation. In sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
emotions and associations, and as such it serves as the means of
stimulation. By darkening the consumer's mind, it drives him into
a state of humble contrition and obedience, self-sacrifice, by
destroying every trait of individuality, it the individuals into a
mass, and mass into a humble, collective body. The of Laibach's
message, perception and receiver's structure uncovers the neurosis.
Laibach the biters and antagonistics into an expression of static,
totalitarism cry. Our inspiration, ideals which are not ideals to
their form, but the material of Laibach, of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical form of the organised rhythmicity of technicist
production, and as such the appropriate means of media manipulation.
As an structural basis of the collective unconscious in a
mass, it stimulates automatic mechanism, and shapes
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]